On October 13, 2019, Against the Grain Theatre’s La Bohème became Canada's first-ever livestream of a professional opera, in partnership with CBC Arts. Who could have predicted that a little over a year later, livestreaming and other remote performance formats would be the new norm?
As the performing arts community continues to come to terms with the effects of the pandemic, AtG is once again making history with Messiah/Complex, its daring new interpretation of Handel’s Messiah. Co-directed by AtG Founder and Artistic Director Joel Ivany and Banff Centre’s Director of Indigenous Arts Reneltta Arluk, this streaming filmed performance is both a response to the current pandemic and an effort to provide much needed hope for artists, arts organizations and audiences.
Truly national in scope, with singers participating from every province and territory in Canada, and a text that allows specific soloists to express themselves in their traditional language of choice, this “complex” production includes a huge cast – 12 soloists, four choirs, and the Toronto Symphony Orchestra.
When asked about the effects of the pandemic and the message that students and performers can take from Messiah/Complex, Director Joel Ivany, a frequent GGS collaborator, and soprano Miriam Khalil (ADP ’04) had this to say:
“Students and performers all across the world are having to embrace the new realities that COVID has shown us. This moment is an opportunity for new voices to emerge and be heard. With the use of technology and creativity, we can amplify our voices to reach a greater audience. We will return to live performances, but we have also introduced a new way to create and share bold, ambitious ideas.”
“This time has been increasingly difficult for performers. However, it has also provided time and license for performers to explore creative ways of making art and sharing it with their communities. This time has also shed light on many issues in our industry and we have this time to dig deep and make the changes that are necessary to become more inclusive, equitable and positive.”
Launched with a Live Watch Party on December 13, this performance is available online until January 7. In the true spirit of the season, it is offered free of charge with a pay-what-you-can option available.
